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    4/5/2008

    小记伦敦Musical-Chicago

    Chicago is one of London's most popular and thrilling smash-hit musicals.
    Now the longest running Broadway musical to play the West End, this multi-award winning production is filled with sensational choreography inspired by Bob Fosse, and a sizzling score including All That Jazz, Cell Block Tango and Razzle Dazzle. It's no wonder The Times calls it "the sharpest and slickest show on the block".
    A nighclub dancer, a smooth-talking lawyer... and a cell block of sin.
    It would be a crime to miss it.
     
    Laydies and Gentlemen, you are about to see a story of murder, greed, corruption, violence, exploitation, adultery and treachery. All those things that we hold near and dear to our hearts.
    Image:Chicagomusicalposter.JPG
     
    Dressing Circle 第三排左翼位置, super clear view, 票价:24.5胖子/人。
     
    终于,终于,终于进了London West End的戏院!从第一次来伦敦就开始搜集票卷信息,长久细致搜索之后发现两个方法比较优越:
    1)火车2-for-1的打折。但一定要提前打电话预约,不然一定精光了。
    2)当天到Leicester Square的半价票亭去拣打折票。我几乎造访了每一件大大小小的票行,冷脸热脸,英国大叔印度小哥…… 该遇的都遇过了。总结出来:两间票行不错,服务地道,位置/价格比比较高。两者相较,个人感觉更好的一件是Leicester Square正中间,刚过了T小商品商场,和兑换窗口同处在拐角的那家。
     
    沿着泰晤士河又逛了一个大圈的伦敦,下午三点左右,在明媚的阳光里,透过茶色的太阳镜,我满意得端详着我的戏票,我的,哈哈!
     
    插播一个小插曲。
    正午12:35gg激动得在网上给我传来一网址:BBC通知,为了庆祝Royal Airforce90岁的生日,正午一点开始,从Canary Wharf出发,将有喷气飞机的表演。沿泰晤士河直达Big Ben上空。还附了一张照片,三家喷气飞机喷出红蓝白的彩带。gg命令道:“你快出发!”
    一路我就仰着脖子搜索,蓝天白云真是漂亮,一只只云都像小绵羊一样。要是加上喷气飞机…… 哈,今天天气正好。
    结果,一路上看着路上的钟,都13:45了,天空里会飞的鸟都没有一只!
    April Fool! Poisson Avril! 孙老师的话怎么又忘了呢?
    回来跟老头老太讲,Chaire差点没笑呛着……
     
    到达Cambridge theatre,我们两个农民直愣愣得就冲向circles的入口。看“口”的帅哥截住我们,说你们要去售票窗口换票。奇怪,座位价钱都齐全,换哪门子票啊?原来根据当天售票情况,last minute他们把大伙儿都调剂到更好的位置去。比如我们原来是upper circle的中间,这一调配,就去了dressing circle左翼。俨然离舞台更近了一些。愿意看清楚演员鼻子眼睛模样的,还可以投50p给座位前面的小望远镜,就可以拿下来整场使用了。
     
    Jazz声一起,百老汇的感觉就出来了——舞台和整个剧场的基色就变成了黑色——金发、红唇和雪白的肌肤立刻凸显。犯罪、戏谑、腐烂、虚伪的名望,伴着暧昧的颜色和音乐在剧场里和观众心里螺旋升腾,直到这迷幻的烟雾占满了每一寸空间。故事就不多说了,整个两个多小时里我们完全被爵士、探戈和Razzle Dazzle的音乐和舞蹈所包裹着、捕获着、摇晃着。好像一个正在融化的铜球,在火光上揉捏着古铜色的反光——迷离而完美的曲线、曲面。很多段舞蹈都深深得印在了我平生第一晚West End Theatre的记忆上:
    开场Roxie领的排舞,不平衡的肢体挥动出Chicago镁光灯阴影下的畸形;
    大律师Billy出场华丽的演唱和羽毛伴舞,在这黑色的基调中,富人的游戏就是台面上闪光的翎毛;
    Roxie和Billy的木偶双簧舞蹈演唱,女演员真的像木头棍儿搭起来的似的;
    男配舞们打着响指的舞蹈,不温不火的滑步,看似无意的转头,爵士风十足的扭胯……
    Velma一人饰两角的表演,怎么能有一个这么高的女人,怎么有一个能穿着高跟鞋翻跟头的女人?
     
    剧目结束,早有三轮车夫挤满了剧场的门前,吆喝着拉客。灯红酒绿间,一下子回到了流光溢彩、餍足堕落的30年代。心意满满,23点的伦敦大街上依然热闹非凡:幻想着下次的剧目,幻想着下下次的剧目,幻想着下下下次的剧目……

    Comments (4)

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    Yue YANGwrote:
    我们上次去纽约没看芝加哥,因为票太贵了79刀.后来花60刀看了Mary Poppins 也很好,还是伦敦的故事.确实经典,难怪这么多年长盛不衰.
    Apr. 5
    Leo GUOwrote:
    这部百老汇和伦敦WEST END经典的不能再经典(估计已经连续演出了十几年,名角换了一拨又一拨)的THEATER凭借由其改编,并在2002年杀下奥斯卡包括最佳影片的6项大奖的同名电影,如今估计已经家喻户晓了,但是有几乎一睹其真荣的估计为数不多。
     
    这部THEATER给人的震撼是难于言表的。正如我在前面的影评中(HOPEFULLY近期可以有时间写影评)提到的,THEATER和电影终究是两种艺术形式,很不相同,THEATER的直接性和感染力都是电影很难做好的,这部THEATER尤其是这样。可以说它是JAZZ风格戏剧的巅峰之作。如果你已经对电影《CHICAGO》里面的歌舞如痴如醉了,那么这个THEATER给你的感受绝对是BREAK THE CEILING的。
     
    伦敦的几大魅力之一就在于其蓬勃的WEST END戏剧。如果你来伦敦不小心错过了,那可是巨大的遗憾。从此决定希望mm每次过来玩一个英国的地方,看一部WEST END的戏剧,这样我们有望在30之前扫遍WEST END戏剧,哈哈哈!
     
    Apr. 5
    Grace Wangwrote:
    WONDERFUL^_^
    Apr. 5
    Chris Hwrote:
    游记搁着,musical先到了。总算有更新了……
    Apr. 5

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